Two guys with beards, and a guy referred to as Beard who doesn’t have a beard. Photographer Guy Webster took the back again cover picture for Da Capo. It was May 1966, and the Elektra Records boss had just landed back again in LA from New York on a late-night time flight. Holzman wasn’t convinced at all, but one thing retained drawing him back again. "He was jealous of The Doors’ success", says Holzman. Buffalo Springfield had landed, and Jim Morrison experienced supplied Lee a tape of The Doors’ forthcoming debut album. "The new album will be prettier sounding… As Da Capo ebbed absent, he commenced constructing his masterpiece, Forever Changes, which would arise much more than a 12 months afterwards - a life time in the late 60s. That album would fare even even worse than Love and Da Capo, but it would be garlanded belatedly as one of the wonderful albums of the era. Perhaps extra than any other band on the Strip, The Doors embodied the cultural transformation that was sweeping throughout southern California in 1966. LA grew to become the hub of an remarkable rush of taking part in-are living creative imagination, with hip clubs like the Trip, the Unicorn, Ciro’s, the Troubadour, the Cheetah and the Whisky frequented by artists such as Love, The Byrds, the Mamas And The Papas, The Association, Captain Beefheart and Frank Zappa’s Mothers Of Invention.

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