After the band's first album, Warhol and band chief Lou Reed began to disagree more concerning the course the band ought to take, and their inventive friendship ended. The studio classes continued and resulted in Bowie's third album, The Man Who Sold the World (1970), which contained references to schizophrenia, paranoia, and delusion. In 1976, Bowie starred within the cult film The Man Who Fell to Earth and launched Station to Station. Satirising life in a British prison, the Bowie composition "Over The Wall We Go" grew to become a 1967 single for Oscar; one other Bowie song, "Silly Boy Blue", was released by Billy Fury the next year. Bowie met Angela Barnett in April 1969. They married within a year. His April 1967 solo single, "The Laughing Gnome", on which speeded-up and thus excessive-pitched vocals have been used to portray the gnome within the song, did not chart. His debut single, "Liza Jane", credited to Davie Jones with the King Bees, was not commercially profitable. Dissatisfied with Davy (and Davie) Jones, which within the mid-1960s invited confusion with Davy Jones of the Monkees, he took on the stage identify David Bowie after the 19th-century American pioneer James Bowie and the knife he had popularised.



Bowie's second album adopted in November; originally issued within the UK as David Bowie, it prompted some confusion with its predecessor Indiansexwebsites.com of the identical name, and the early US release was instead titled Man of Words/Man of Music; it was reissued internationally in 1972 by RCA Records as Space Oddity. Released six weeks later, his album debut, David Bowie, an amalgam of pop, psychedelia and music corridor, met the same destiny. On 11 July 1969, "Space Oddity" was released 5 days ahead of the Apollo 11 launch, and reached the highest five within the UK. Having established himself as a solo artist with "Space Oddity", Bowie began to sense a missing: "a full-time band for gigs and recording-people he might relate to personally". Having encouraged his son to follow his desires of being an entertainer since he was a toddler, in the late 1950s David's father took him to fulfill singers and different performers preparing for the Royal Variety Performance, introducing him to Alma Cogan and Tommy Steele. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon covers, Bowie give up the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul-"I used to dream of being their Mick Jagger", Bowie was to recall.



In addition to Burns, a big proportion of Bowie's prolonged relations had schizophrenia spectrum disorders, including an aunt who was institutionalised and another who underwent a lobotomy; this has been labelled as an affect on his early work. Her impact on him was immediate, and her involvement in his profession far-reaching, leaving supervisor Ken Pitt with restricted influence which he discovered frustrating. She explains in her autobiography I Put a Spell on You that the purpose of the track was to inspire black ladies to define magnificence and id for themselves without the influence of societal impositions. The Arts Lab hosted a free festival in a neighborhood park, the subject of his music "Memory of a Free Festival". Studying the dramatic arts under Lindsay Kemp, from avant-garde theatre and mime to commedia dell'arte, Bowie turned immersed in the creation of personae to present to the world. In February and March 1969, he undertook a short tour with Marc Bolan's duo Tyrannosaurus Rex, as third on the invoice, performing a mime act.



Within the early 1970s, Harrison met with their tour pilot who advised him that the Elektra would routinely be riddled with bullet-holes - a results of followers' jealous boyfriends shooting on the airplane on the runway. I by no means saw any silver items there, and couldn't without problem, and giving a premium, receive the worth of a rix-dollar in a large copper coin to offer away on the highway to the poor who open the gates. The identical yr, his interest in music was further stimulated when his father introduced dwelling a collection of American 45s by artists together with the Teenagers, the Platters, Fats Domino, Elvis Presley (who shared Bowie's birthday), and Little Richard. Through the tour, Bowie's observation of two seminal American proto-punk artists led him to develop a concept that ultimately discovered type within the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the final word pop idol". The character was spearheaded by the success of Bowie's single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which received him widespread popularity. After uneven industrial success within the late 1970s, Bowie had three number-one hits: the 1980 single "Ashes to Ashes", its album Scary Monsters (and Super Creeps), and "Under Pressure" (a 1981 collaboration with Queen).