The second author provides a number of sentences before giving it to a third, until the drawing has a three-act story. Levin said the Gem mythology and drama would have been much less attention-grabbing if Steven was not as nicely-developed in the primary few episodes. Episodes resembling "Island Adventure", "Future Boy Zoltron" and "Onion Friend" have been written this way. Although the writers may trace at future events, they like to give attention to plot and develop Steven in actual time. Through the pilot improvement, Sugar wrote and sketched a number of plot ideas that later turned episodes. The episodes "Cheeseburger Backpack" and "Together Breakfast" have been developed at this time. If the characters visit previous areas, the pre-existing backgrounds are modified for authenticity; it is likely areas would change barely over time. After the panels are made, the thumbnail-storyboard artists draw mannerisms and dialogue based on their very own experiences; Sugar attracts "quintessential" scenes from her recollections of hanging out along with her brother after school. This course of can be fairly complex; the storyboard artists should create the cinematography and give attention to scenic design in a way much like movie production.



In line with Levin, he and Burnett attempt to balance the main focus between the main characters-with Steven in the center-and the theme of episodes in their writing. Burnett mentioned he and Levin use fewer ideas from the storyboarders than they previously did; storyboarders change fewer things than they did earlier than because the episodes have a "stronger continuity". The writers-formerly Levin and Burnett-would write the premises and outlines whereas the storyboarders wrote and drew the episodes. In accordance with Sugar, production for Steven Universe began whereas she was working on Adventure Time, her final episode for which was "Simon & Marcy". While the primary season of the show launched the human and Gem characters and their relationships, Sugar started to plot and explore second-season storylines involving the Crystal Gems. Levin said he and Burnett have found methods to combine Steven's powers into the plot. Burnett stated writing a season is like an algebraic equation "the place one aspect is the season finale, and the x's and y's are the episodes we'd like for that solution to make sense"; he cited "Ocean Gem", "Steven the Sword Fighter", "Monster Buddies", "An Indirect Kiss" and "Serious Steven" as examples.



Ronaldo was created by Ben Levin and Matt Burnett. In keeping with Ben Levin, writing a season of Steven Universe is sort of a "jigsaw puzzle" because the writing staff should assemble quite a lot of plot ideas, that are discarded if they don't benefit character development. Although the collection' overall plot is established, the writers improvise to arrive at its ending; in keeping with Matt Burnett, the storylines will be resolved by the sequence' end. Will she toss him executed her bear also contain him from nook to corner the threshold. The Gems' potential to form-shift is a reference to older cartoons comparable to Tex Avery's work for MGM, the place characters would change at will. Due to the characters' personalities, Garnet is sq., Amethyst is a sphere and Pearl is a cone. This redesigning meant the appearances of the characters in the pilot episode differs substantially from their depiction in the tv collection. They discuss episode pacing and range each season's texture by balancing "lighter" and "heavier" story arcs. After discussing a season's proposed episodes the "puzzle" is complete, and they begin writing a serious story arc or a season finale. Grateful to work on a present which is unafraid to be "honest and vulnerable", he said if each episode was emotional the series would turn into formulaic; comfortable episodes stability out emotional ones.



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