Drawing on Kelly’s pioneering do the job, we make two arguments: to start with, that there is a continuum of techniques that with each other variety our principle of graphic-dependent sexual abuse and, secondly, that image-dependent sexual abuse is on a continuum with other kinds of sexual violence.Footnote five In relation to our initial argument, the notion of the continuum underpins the advancement of our concept of graphic-dependent sexual abuse which encompasses all forms of the non-consensual creation and/or distribution of personal sexual visuals. The principle of the continuum of sexual violence was initial developed by Liz Kelly (1988) to reveal the inter-associations in between distinctive forms of sexual violence and to obstacle the notion of a hierarchy of sexual offences. Her predominant problem was to give the conceptual resources by which women’s ordeals of men’s violence could be far better understood as they had been (and nevertheless are) not mirrored in the ‘legal codes or analytic categories’ of current exploration (Kelly 1988, 74). The principle also permits women to make sense of their own ordeals ‘by showing how "typical" and "aberrant" male behaviour shade into just one another’ (Kelly 1988, 75). In Kelly’s function, a continuum is comprehended in two principal methods.

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