Within Thunder Dreamer's sound are the fidgety dashboard confessionals of Boys Life's road-trip cult classic Departures and Landfalls; the mesmeric stoner emo of their northwest neighbors in Cloakroom; and early Mark Kozelek, Jason Molina, and My Morning Jacket, with the latter stepping outside the grain silo to take in the boundless vistas.
Hamilton's voice is an effective instrument for what he calls "sad words to fit sad notes." And whether he's delivering plainspoken, classic emo heartbreak ("Why Bother") or local xenophobia against refugees ("Living Like the Rest"), it's never heavy-handed. However, Hamilton admits lyrics sometimes came at the last minute, and there's certainly a discrepancy between them and the group's painstakingly crafted instrumentals. But Capture benefits from its reliance on ambience for evocation. It's a record of young men learning to live with the implacable fear emanating from the crossroads of America, rather than running from it.