Following a spate of limited-edition 1978 packages to mark Ford Motor Company's 75th anniversary, Lincoln devised a "Collector Series" option group for the 'seventy nine Continental and Mark. To Photo Research Corporation, a division of Kollmorgen Corporation for the development of the Spectra Series II Cine Special Exposure Meter for movement picture photography. To Panavision, Incorporated for the design and growth of the Panaspeed Motion Picture Camera Motor. To Cinema Products Company for a management motor to actuate zoom lenses on motion picture cameras. To A. D. Flowers and Logan R. Frazee for the event of a device to control flight patterns of miniature airplanes during movement image pictures. To Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automated publicity control for printing-machine lamps. To Carl Faulkner of the twentieth Century Fox Studio Sound Department for the reversed bias method, together with a double bias technique for light valve and galvanometer density recording. To Carl Zeiss Company for the design and development of tremendous-pace lenses for motion image pictures.



To Zoran Perisic of Courier Films, Limited, for the Zoptic Special Optical Effects Device for motion image images. To Marty Martin, Jack Lannan, Russell Shearman and the RKO Radio Studio Special Effects Department for the event of a brand new method of simulating falling snow on motion image sets. Studio Sound and Electrical Departments for the design and development of a motion image arc lighting generator filter. Sprague and the Metro-Goldwyn-Mayer Studio Sound Department for the design of a magnetic sound editing machine. To Burton F. Miller and the Warner Bros Studio Sound Department for the design and application of an equalizer to eradicate relative spectral power distortion in digital compressors. To Fred Wilson of the Samuel Goldwyn Studio Sound Department for the design of a variable multiple-band equalizer. To Glen Robinson and the Metro-Goldwyn-Mayer Studio Construction Department for the event of a new music wire and cable cutter. To Louis Ami of Universal City Studios for the design and construction of a reciprocating digital camera platform used when photographing special visual results for movement photos. To Robert M. Flynn and Russell Hessy of Universal City Studios, Inc. for a machine-gun modification for motion image photography. Studio for pioneering the fabrication and practical software to motion image shade photography of massive translucent photographic backgrounds.



To Stewart Filmscreen Corporation for a seamless translucent Blue Screen for Traveling Matte Color Cinematography. To Carter Equipment Company for the event of a steady contact, complete immersion, additive shade movement picture printer. To Linwood Dunn, Cecil Love and ACME Tool and Manufacturing Company for the design and building of the Acme-Dunn Optical Printer. To Nelson Tyler for the design and building of an improved Helicopter Camera System. To Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi-interlock selector switch. To Radio Corporation of America and the RKO Radio Studio Sound Department for the design and free sex cam sites building of the RKO reverberation chamber. To Louis G. MacKenzie for a selective sound effects repeater. To Peter Regla and Dan Slater of Elicon for the development of a observe-focus system for motion image optical results printers and animation stands. Special Effects Department for the design and fabrication of a new rapid fire marble gun. To Arthur Holcomb, Petro Vlahos and Columbia Studio Camera Department for a camera flicker indicating gadget. To Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the system and application to manufacturing of a simplified variable area sound destructive developer.



To Loren L. Ryder, Charles R. Daily and the Paramount Studio Sound Department for the design, development and use of the primary dial controlled step-by-step sound channel line-up and test circuit. To Loren L. Ryder, Charles West, Henry Fracker and the Paramount Studios for a projection film index to establish proper framing for numerous aspect ratios. To Carlos Rivas of Metro-Goldwyn-Mayer Studio for the event of an computerized magnetic film splicer. To the construction Department of Metro-Goldwyn-Mayer Studio for a new hand-portable fog machine. To Western Electric Company for the design and development of the 1126A Limiting Amplifier for variable density sound recording. Studio Sound Department for the design and development of a relentless-speed sound modifying machine. To Charles R. Daily and Stephen Csillag and the Paramount Studio Engineering, Editorial and Music Departments for a brand new precision methodology of computing variable tempo click tracks. STARDAY "The Wonderful World of Country Music Sales Plan :" 15% discount on all common-priced merchandise. The second LP, "The Modern Jazz _'Quartet & Orchestra," is a observe-up o a earlier MJQ LP, "Third Stream Ji fusic," in that it also incorporates a .1 lend of jazz and classical music ele- lents. To Michael V. Chewey, Walter G. Eggers and Allen Hecht of M-G-M Laboratories for the development of a computer-controlled Paper Tape Programmer System and its purposes within the motion picture laboratory.