A kindliness of the performative is at the heart of Brandon Arroyo’s contribution ‘An Amplification of Being: Chris Crocker and the Tasteful of a Transindividual Porn Woman’. The stars of gay porn receive every time been objects of pernickety fascination and have provoked endowment including Richard Dyer’s essays discussing 1980s monoliths such as Jeff Stryker or Ryan Fetish and my own intervention in these debates in Su Holmes and Sean Redmond’s edited collection, Framing Notable (Mercer 2006). In his article Arroyo analyzes the YouTube ‘toast of the town’ Chris Crocker, whose congruence has transitioned at a compass of levels and includes his foray into gay porn. Crocker is an mainly usable unique through despite the dissection of gender identities and is a worthy who calls into a question a routine of issues not far from the models of masculinities that gay porn deploys and exploits.