The second author adds a number of sentences earlier than giving it to a third, until the drawing has a 3-act story. Levin stated the Gem mythology and drama would have been much less attention-grabbing if Steven was not as properly-developed in the first few episodes. Episodes such as "Island Adventure", "Future Boy Zoltron" and "Onion Friend" had been written this way. Although the writers may trace at future events, they like to concentrate on plot and develop Steven in actual time. During the pilot improvement, Sugar wrote and sketched numerous plot ideas that later grew to become episodes. The episodes "Cheeseburger Backpack" and "Together Breakfast" were developed presently. If the characters go to previous areas, the pre-present backgrounds are modified for authenticity; it is probably going places would change slightly over time. After the panels are made, the thumbnail-storyboard artists draw mannerisms and dialogue based mostly on their own experiences; Sugar attracts "quintessential" scenes from her memories of hanging out along with her brother after school. This course of can be fairly complex; the storyboard artists must create the cinematography and give attention to scenic design in a manner similar to movie production.



In response to Levin, he and Burnett try to balance the main focus between the principle characters-with Steven in the center-and the theme of episodes of their writing. Burnett mentioned he and Levin use fewer ideas from the storyboarders than they previously did; storyboarders change fewer things than they did before because the episodes have a "stronger continuity". The writers-previously Levin and Burnett-would write the premises and outlines while the storyboarders wrote and drew the episodes. In accordance with Sugar, manufacturing for Steven Universe began while she was engaged on Adventure Time, her final episode for which was "Simon & Marcy". While the first season of the show launched the human and Gem characters and their relationships, Sugar began to plot and discover second-season storylines involving the Crystal Gems. Levin mentioned he and Burnett have found ways to combine Steven's powers into the plot. Burnett mentioned writing a season is like an algebraic equation "where one aspect is the season finale, and the x's and y's are the episodes we want for that solution to make sense"; he cited "Ocean Gem", "Steven the Sword Fighter", "Monster Buddies", "An Indirect Kiss" and "Serious Steven" as examples.



Ronaldo was created by Ben Levin and Matt Burnett. In response to Ben Levin, writing a season of Steven Universe is sort of a "jigsaw puzzle" as a result of the writing group should assemble numerous plot concepts, which are discarded if they do not profit character development. Although the collection' overall plot is established, the writers improvise to arrive at its ending; in response to Matt Burnett, the storylines shall be resolved by the sequence' end. Will she toss him finished her bear also contain him from nook to nook the threshold. The Gems' skill to shape-shift is a reference to older cartoons equivalent to Tex Avery's work for MGM, where characters would change at will. Because of the characters' personalities, Garnet is square, Amethyst is a sphere and Pearl is a cone. This redesigning meant the appearances of the characters in the pilot episode differs substantially from their depiction in the tv series. They talk about episode pacing and differ every season's texture by balancing "lighter" and "heavier" story arcs. After discussing a season's proposed episodes the "puzzle" is complete, and they begin writing a serious story arc or a season finale. Grateful to work on a show which is unafraid to be "sincere and vulnerable", he mentioned if each episode was emotional the series would grow to be formulaic; pleased episodes steadiness out emotional ones.



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