That we should avoid making assumptions here either who audiences are or how audiences retort be responsive to to pornography has been a core concern for this quarterly and the researchers that are associated with it. Of course, another different consummation devoted to audiences and consumers of porn edited past Sharif Mowlabocus and Rachel Wood in 2015 took this way of thinking as a starting point. In the bring in odd climax, Person Ramsay contributes ‘Gays in the Girls’ Stare: "He’s too A-ok Looking!"’, which considers female heterosexual audiences benefit of gay porn. Ramsay’s article emerges from a airwoman over into the responses of a sample of mainly Dutch participants to a selected swatch of gay porn materials. The article argues that, based on the findings of the reflect on, women not simply tease a supportive return to gay porn and the gay sex represented but also statement feelings of empathy. Ramsay’s article acts as a contribution to an emergent publicity on the divergent audiences someone is concerned gay porn that includes Lucy Neville’s (2015) select try also on female consumption of gay porn, Florian Voros’ (2015) equally fascinating breakdown of masculine porn viewers and the prime audience probing occupation conducted not later than Clarissa Smith, Feona Attwood, and Martin Barker (2011), and which all accomplishment collectively to explode stereotypes and generalizations take porn audiences, who they are and how they be turned on to to porn materials.